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Joshua Xernandez



Time simultaneously eludes and defines us. For some, it slips away like sand through fingers, a fleeting force that drives urgency and change. For others, it is a vast and endless expanse, stretching out into the infinite. Yet, no matter our perceptions, there is a truth: Underground Voices' relatively brief stay at the Volstead created ripples that will reverberate across the timelines of the lives of all who lived through the birth of a hip-hop community.


There is an ancient belief, rooted in the wisdom of indigenous peoples, that time and space are not separate, but rather are intertwined in a vast cosmic tapestry. Every thread, every moment, every action is connected, woven together to form the fabric of the universe. It is a belief that suggests that nothing exists in isolation, that every event, every experience is part of a greater whole, a whole that is constantly shifting and changing as new threads are added, as new stories are told. It is a belief that speaks to the interconnectedness of all things, of all people, of all experiences. And somewhere amidst the quantumly-entangled leylines a community has gathered in Austin, Texas. Here in this city of live music and the weird, their tales coalesced around a nascent hip-hop open mic scene pledging to give a voice to the underground. It is not by chance that so many stories told here feel interconnected, echoing resilience, struggle, and an undying urge to create. Artists who strive towards connection amidst a hyper-capitalist world that strives to disconnect us from each other, our earth, and ourselves. People who work to survive, and who are living to make art. Stories weaved by those whose time is tested by the grind of the present yet still they persist through towards a better future


By day, the underground heroes who forge the future mask themselves as locksmiths, electricians, servers, and fast food workers. When night falls, the starlight brings about their transformations. The stardust of their creation morphs them into wordsmiths, expressionists, and absurdists—poets who delve into the mysteries of existence, using their art to explore the depths of being as they themselves are still learning what it means to be alive. The Volstead, in its welcoming and unpretentious way, has served as the hallowed ground upon which these ascensions take place. It has provided the space, both physical and spiritual, that these artists needed to shed their masks and begin to reveal their truest selves.


For almost two years, every Monday night, this creative bastion has been the backdrop for a quiet revolution. Here, in this unassuming bar, the future was being molded, not by the powerful or the elite, but by those whose voices speak for the people who are oft ignored and overlooked. The Volstead became more than a bar—it was a citadel for those seeking to express their truths, a haven where the act of creation was both celebrated and nurtured. It was here that artists came together, drawn by a shared need to explore and express, to experiment and evolve.


These artists, like alchemists of old, used the tools of their trade—words, music, performance—to transform the ordinary into the extraordinary. They speak not just of the world as it is, but of the world as it could be. They turn personal pain into universal melodies, they splash color onto the blank canvas of the night, they sculpt the air around them with their presence. And at The Volstead, their individual stories wove together into a collective narrative, one that spoke of resilience, hope, and the unyielding power of creativity.


Yet, as with all things in life, this chapter is drawing to a close. The Volstead, which has been the crucible of so much artistic growth, will no longer be the home of Underground Voices. This marks the end of an era, one filled with moments of brilliance and quiet revelations. But with every ending comes a new beginning, and the move to Vaquero Taquero signals the start of a new journey. This new venue promises to be more than just a replacement; it is poised to become a training ground for creative evolution, a place where the artists of Underground Voices can continue their transformations, ascending into even more potent and powerful versions of themselves.


At this new dojo the stage is no longer just a platform; it is an altar where old wounds can be turned into new creations. It is a place where the tired and weary, the hopeful and the hopeless, can gather to sing and shout their stories into the night air. The artists who come here, drawn to the beacon of change within, will continue to shed their daytime skins and emerge, glistening, as something more. Here these shapeshifters can enter a chamber where time moves slower, and they can learn to master moving through worlds seen and unseen, pulling threads of magic from the air and weaving them into the fabric of existence by speaking their art. Whether they become goons, aliens, beasts, swans, doves, or goddesses they will rise up, defiant and unbroken, and dance the dance of metamorphosis.


As this new chapter unfolds, the echo of The Volstead will linger, like a faint scent of something sweet and bitter all at once. The Volstead was not just a building; it was a womb, cradling the artists in a space where they could be both fragile and fierce. Giving them an umbilical cord connected to the universe. Providing them the sustenance needed to learn to breathe, to stretch, and to grow. The lessons of that place—lessons about persistence in the face of indifference, about the strength that comes from vulnerability, about the power that rises from a community of souls—will follow them into this new space. The spirit of our Underground Voices is not bound by walls or floors or ceilings; it is carried in the bodies and minds of those who have lived it, and it will continue to flourish wherever they gather.


And so, as time marches on, so our protagonists begin a new arc—not just with anticipation, but with the quiet assurance of those who know that their story is far from over. The journey that began at The Volstead has not ended; it has simply transformed, as all things must. They will continue to create, to inspire, to heal, and to hurt, because that is the work of the artist—to take the raw material of life and take the time to turn it into something that shines. The future, vast and unknown, stretches out before them, and they step into it with open eyes and open hearts, knowing that wherever they go, the essence of Underground Voices at The Volstead will forever persist through their time here on Earth, guiding them toward what comes next.




Underground Voices Show'N Prove Open Mic returns September 2nd at Vaquero Taquero  603 Sabine St, Austin, TX 78701



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Joshua Xernandez


The world is a silly place. At least, that’s how Ryan Dove sees it. But when you’ve lived the kind of life that Ryan has—escaping a cult at 16 through the power of hip-hop music—you start to understand the absurdity in things. You start to see the cracks in the world’s facade, the places where the veneer of seriousness peels away to reveal something far less grand, something you have to laugh at


The world is a silly place. That thought that echoed in my mind when Ryan Dove pulled up in his Kia Soul, a car that seemed as unassuming as the man himself. He stepped out, with headphones around his neck, a graphic tee with a cartoony Spiderman fighting the Venom Symbiote, torn jean shorts, a backpack, and thick rimmed glasses. His posture bent slightly as though he was carrying a weight invisible to the rest of us, but there was a bounce in his step that portrayed a different story—a story of resilience, of a man who has seen too much to be fooled by the world’s pretense. In a world of rap music that demands you “fake it till you make it,” Ryan Dove stands as a rare truth—a rapper who has no need to pretend because he’s already made peace with who he is.


The world is a silly place. This truth that hit me again when Ryan arrived just in time to meet my 92-year-old grandmother, returning from her walk with my aunt. There was something almost too perfect about the timing, as if fate had arranged for this moment, reminding us of the absurd uncontrollable choreography that governs our lives. As we began our journey together, our conversation quickly turned to stories of watching loved ones fade into the shadows of lost memories, to the point where they no longer recognize their own home. It was a heavy topic, but there was something in Ryan’s voice—a recognition of the ridiculousness of it all, the way life steals away the very things that define us—that made the conversation feel like more than just an exchange of sorrow. It was an acknowledgment of life’s cruel joke, and the quiet defiance of those who laugh back.


The world is a silly place. That refrain played on as Ryan shared more of his life with me. His father has a room dedicated to The Beatles—a shrine to a band that, in its own way, broke the world wide open. His sister was the one who introduced him to Kanye West’s Graduation, a record that shifted something deep inside him. But then, at 11, his mother pulled him into a “church” that preached that Kanye (and most music at large) was the devil’s own messenger. It’s a story that could be tragic, if it weren’t so silly, so perfectly emblematic of the strange contradictions that shape our lives. By the time he was 16, Ryan had found his salvation in making music, rejecting the dogma of the “church” and forging his own path. Music became his sanctuary, his way of making sense of a world that too often doesn’t make any sense at all.


The world is a silly place. And it was never more apparent than when we talked about his career. We spoke about the way those closest to him—family, friends—seemed less interested in his music than complete strangers. It’s a paradox many artists know too well, the bitter irony of needing validation from those who are supposed to know you best, and finding it instead in the eyes of people you’ve never met. We discussed the love songs that didn’t make it onto his album because that love had been lost—a cruelty so sharp it could only be met with a kind of dark humor. Then there was the drama with a producer who wanted to pull a song after it had been cleared because of a personal grudge with a featured artist. These are the stories that artists like Ryan live with, the small absurdities that pile up until they become a mountain you either laugh at or let crush you. Ryan chooses to laugh, and in his laughter, there is a wisdom that cuts through the nonsense, revealing a man who has come to understand the world for what it is, and has chosen to keep creating anyway.


The world is a silly place. That truth was undeniable as we wandered through East Austin, a part of the city where the past and the future seem locked in a constant battle for cultural dominance. We walked past multi-million dollar homes rising up next to worn-down casitas, stark juxtapositions between wealth and struggle laid bare on every corner. Art galleries stood beside payday loan fronts, reminders of the way beauty and desperation so often coexist. We saw murals dedicated to Texas hip-hop in neighborhoods being swallowed by gentrification, the culture that built this place being slowly pushed out by those who want to remake it in their own image. But in the middle of all this—this ocean of punk rockers and tech bros—there exists a hip-hop open mic scene at The Volstead, a space where the old Austin still breathes, where the soul of the city hasn’t yet been erased. This was the final stop in our journey, and it’s here, in this vibrant, chaotic mix, that Ryan Dove has found his people.


The world is a silly place. So naturally, it makes perfect sense that a half-Mexican, half-white kid from El Paso, with his thick-frame glasses and unassuming demeanor, could stand out every Monday night at the “Underground Voices Live” Hip-Hop open mic. Of course, he would become a crowd favorite, his authenticity resonating with those who gather in that space. Of course, he would form connections with a wide array of artists, relationships that now shape his upcoming album. And of course, you should listen to Live, Laugh, Dove if you want to catch a glimpse of that silliness, to hear an artist who has learned to embrace the absurd in the midst of a world that often feels too heavy to bear.


The world is a silly place. And in Ryan’s own words, he’s “a guy writing silly songs with his friends, trying to put a spotlight on the Texas underground.” But there’s more to it than that. What Ryan Dove offers is more than just music; it’s a reflection of life’s absurd waltz, a commentary on the way we all navigate a world that refuses to make sense. In his songs, in his stories, there is a recognition of the pain, the joy, the confusion, and the beauty that come with being alive. And in that recognition, there is a power—a power that comes from knowing the world is a silly place, and choosing to laugh anyway.


The world is a silly place. And perhaps that’s why we need artists like Ryan Dove, artists who remind us that in the face of all the absurdity, the contradictions, and the pain, there is still a place for laughter, for music, and for the simple truth that sometimes, the best way to deal with the madness is to find a rhythm in it, and do a silly dance.



Live, Laugh, Dove releases on all streaming platforms August 27, 2024

Catch Ryan Dove live throughout the month of August

August 15- Rhyme & Reason @ Vaquero Taquero

August 27th- ALBUM RELEASE SHOW @ THE MOHAWK

August 31- TexPop hip-pop culture show @ the TexPop Museum


For more of Ryan Dove follow him on Instagram @r.yandove




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In the final hour of their last rehearsal, the crew of Isis Destiny's Lover Girls Tour gathers once more, their smoke break over, and stories of arduous first days of school spill into the room like ancient rivers finding their due course. Band mates Jasmin Blue and Bella Sera, their voices braided with memories, recount the bewildering school bus rides where stops were missed and directions lost. Amira, who on stage becomes Isis Destiny, and her choreographer Epiphany, share tales of middle school trials—Amira’s face once marked by the painful kiss of a door's metal divider. The room thrums with a familial energy so palpable, so deeply rooted, that I too find myself confessing my own tears from the first day of middle school at the hands of bullying. This atmosphere, this warm embrace, is not mere happenstance. There is an intentionality behind its cultivation. Room 25 at SPACE Menchaca becomes a sacred space where I witness not just the birth of a tour, but the weaving together of a family.


To speak of the Herculean challenge of planning and executing a tour is to acknowledge the enormity of the endeavor. Even artists surrounded by teams of workers often struggle with the weight of it all: securing venues, scheduling dates, assembling a band, organizing rehearsals, crafting promotional materials and merchandise, booking opening acts, managing travel and accommodations, ensuring the availability of gear and equipment, and maintaining an intricate web of communication and organization...


The thought of undertaking this colossal mission solo, without prior experience, for a debut tour, defies belief. Yet, as I watch Isis Destiny orchestrate the final details of her Lover Girls Tour across central Texas with aplomb, I am not bewildered. It feels as though she has been preparing for this her entire life.


In truth, the weight of this tour is but a feather compared to the burdens she has borne: a mother imprisoned, laboring full time at the age sixteen to pay her father's rent, the loss of loved ones, the scars left by abuse. These lived experiences flow through her performances, transforming her set into a powerful testimony of survival and resilience.


Her setlist—a three-part journey seamlessly woven together by the artistry of her collaborator Dupre, who also bookends the performance. Songs from her albums "Scorpio Rising" and the forthcoming "Count Your Lucky Stars," interwoven with covers of her inspirations, Kali Uchis and Erykah Badu, form the beating heart of the show. These performances, enriched by Jasmin on the keys, sax, and supporting vocals, and Bella on the drums, possess a certain je ne sais quoi that only live instruments can provide.


Beginning with "Scorpio Rising," the songs mirror the journey of womanhood. "Pink n Blu" delves into first love and the struggle to escape toxic relationships, always clinging to the hope of finding true love. "Trouble," written at eighteen, plunges into the darkness of an abusive relationship and addiction, with the chorus, "tienes la llave abre la puerta" (you have the key, open the door), serving as a beacon of her power to transform her reality.


The journey continues with the title track "Scorpio Rising," a song that speaks to the necessity of authenticity in relationships. Once the door of truth is opened, there is no turning back. "I Wanna Go Faster" embodies the desire for growth, its melancholy slow burn accentuated by the movements of dancers Berenice and Christina, who add a graceful visual to the story of yearning and transformation.


The final segment of the set introduces songs from her new album, composed in her adolescence. "4 Scarlett" is a heartfelt ode to her sister performed alongside her brother Mista Reece, while "Yellow Brick Road" charts the course of following one's destiny, culminating in a collaborative piece about the trials and triumphs of life on the road and the pursuit of dreams.


As I watch, I am filled with a profound sense of witnessing destiny unfold. Through her music and her journey, Isis Destiny constructs more than just a tour, she gives us a testament to the strength of the human spirit and the creation of a chosen family.



follow the crew of the Texas Lover Girls Tour:


@Isisxdestiny

@rydupre

@jasminorblu

@b_the_drummer

@bereniceuvade

@skyunknown_

@piffmitch

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AUSTIN TEXAS POET

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