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Underground Rap Review: Reminiscent Echoes by gavthadon


93

gavthadon takes us on a leaned out trip through the struggles of adolescence. Made on a Chromebook by a sophomore from San Antonio Warren, this album speaks, and you need to listen.



**Strengths**:

- Evocative soundscapes that capture fluctuating moods.

- Creatively crafted deliveries and lyrics.

- An enticing blend of energetic tracks and introspective melodies, each demanding a replay.

- Nods to the sounds of JuiceWrld and Lucki while establishing a unique identity.

- The unmistakable "high school bathroom" ambiance oozes authenticity

- Impressive production on BandLab via Google Chrome, showcasing resourcefulness.

- His age, just a sophomore in high school, only amplifies the depth of his talent.


**Weaknesses**:

- The mix, albeit authentic, might not cater to everyone's auditory preferences.

- Not for boom-bap, Griselda, Earl Sweatshirt, soul beat only fans of hip-hop

- Vocals, though promising, exhibit areas that could flourish with further honing.




So far I've listened to this album 5 times and each time I found something new. In the hyper-saturated DIY hip-hop scene *Reminiscent Echoes* stands out as a profound diptych: two intertwined tales consisting of six tracks each, bisected by a sorrowful interlude. The initial half unfolds like a hazy journey through a spirited night, where listeners are invited to sip from the auditory version of a cup of that drank, floating on immersive purple waves of sound. It’s a blend of languid tracks with moments of high energy, characterized by inventive lyrical deliveries and braggadocio. Post-interlude, the album shifts gears. Drawing inspiration from Midwest acoustics, it blends almost pop-like melodies with melancholic soundscapes. This second act showcases a vivid emotional spectrum, echoing with the sorrow of lost love and emphasizing the audacious lengths we often traverse to find solace and cope.


We begin with "Again", setting the tone right from the first drop. The lament of a love lost clashes with the assertiveness of recovery. The beat's got this thump, a rhythmic pulse that weaves in the twin emotions of regret and resilience. And while most turn to money and fleeting flings as solace from heartbreak, there's a somber undertone in the vocals. A reflection, perhaps, of the emptiness in chasing distractions over true love. Those lyrics, though? Raw. Poignant. They pour out with the finesse of a veteran, belying the young age of their creator. A theme which continues into “Y.M.F.” which maintains a similar sound but has a more languid flow with more bombastic lyrics.


Now, this album doesn't shy away from experimenting, and to me this is what makes it stand out amongst the emerging “HS Bathroom” sounds design trend. Some might raise an eyebrow at it, but I vibe with it. “K.t. freestyle” embodies this spirit. Stripped of traditional melodies, it's a raw jam session – two homies, vibing out, laying down innovative flows that perfectly fit the unconventional beat.


But as with any night out, there are shifts in mood. "DNA!" snaps you out of that wavy stupor. An assertive, pulsating rhythm tells tales of teenage rebellion, of a life that's as raw as it gets. And yeah, some folks might be taken aback by the mentions of guns at school, but it feels more like a portrayal, an exaggerated reflection of high school life in today's world.


"Why they wanna hate" pulls you into a dreamlike state. It's euphoria, tinged with the sad realization that maybe, just maybe, this high is a refuge from a void, a void where love should've been. By the time “faygo” rolls in, you can almost feel the codeine kick. It's demands an ode to the slowed, reverbed world of lean rap. But then, Reminiscent Echoes doesn’t just revel in these highs. And with us at album's midpoint, the closing of the first act, is a tribute to ingenuity over resources. This is the music of today, made on platforms like Chrome and BandLab, proving that heart and talent matter more than deep pockets.


The "Interlude" acts as a poignant pause as we transition. Reminiscent of the solitude one feels after an eventful night. Its authentic loneliness sets the tone for the second half, which delves into the complexities of heartbreak and recovery.


The second half dives deep into the whirlpool of emotions. "End of the road" and “Last Spring” weave tales of acceptance and nostalgia. Moments of bold bravado give way to raw, emotional outpourings, painting a vivid picture of love, loss, and everything in between.


"If you don’t mind" is like that adrenaline rush you get post-breakup. It juxtaposes the thrill of chasing new experiences against the shadows of past heartaches. Yet, as the euphoria fades, "Best4U" brings the cold, hard comedown. It's a bare reflection, an acknowledgment of mistakes made and the looming shadow of regrets.


By the time “more2life!” rolls in, the narrative turns introspective, pondering on the weariness and ennui brought on by life and love's many trials.




Songs like "End of the road" and "Last Spring" oscillate between the pain of acceptance and the nostalgia of past love, with raw emotions occasionally masked by braggadocio, only to be laid bare by song's end. This emotional roller coaster peaks with "If you don’t mind", an anthemic reflection of the euphoria following a breakup, juxtaposed against the desperation of masking the lingering pain. "Best4U" strips down this facade, revealing raw vulnerabilities and fears of facing one's demons. The album finds its resolution in “more2life!”, encapsulating the ensuing apathy and weariness towards love and life.


In its entirety, *Reminiscent Echoes* is not just a collection of songs but a heartfelt diary entry. Hailing from SA Warren, Gavthadon, in his debut, hints at vast potential, promising listeners an exciting journey ahead.



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Austin Texas Poet Joshua Xernandez

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